Throughout Girling, the boundaries between living and death, between history and present, and how these are preordained for us in the fabric of our DNA, but also via our geographical or cultural spaces, are wrestled and contended with throughout this open-hearted debut collection. Through a personal relationship with illness and a closeness to death, the author asks the reader, ‘I hope it’s ok to die. I can / be something / like actualised metaphor.’Recounted is the story of a father left abandoned in a church, a grandmother’s home in a traveller’s caravan.

Grief is portrayed with a tongue in cheek, cosmic register, as the speaker invests in ‘lions’ mane’, attempts to feel ‘super-radiant’, and moves into ‘moon pose’, while we watch electronic deep-sea claws on YouTube, and google what to do if your mum died last night. Philosophical, funny, pertinent, ecological, global and intimate, this is a collection of poems for the contemporary moment, a book deeply personal yet communal in its intention, beginning from a personal history then resonating outwards, ending on a note so gorgeously hopeful, as ‘life’ moves towards the speaker, ‘gloriously close’.